Second production of Shadow of Murder coming soon.

The Morton family suffered a tragedy when their daughter was the victim of a serial killer. Two decades later members of the family gather at the Marshlands Hunting Lodge, where unbeknown to them, two people are present who are connected to the earlier crime. A storm causes landslides that render the access road impassable, and before long, another murder takes place.

 

Vancouver Island’s Portal Players will be presenting Elizabeth Elwood’s Shadow of Murder, Friday and Saturday evenings at Port Alberni’s Capitol Theatre from February 21 to March 14. Directed by Jacqollyne Keath, this will be the second production of the murder mystery play, which is set in an isolated hunting lodge in a mountainous area of British Columbia. An entertaining thriller with lots of twists and turns, Shadow of Murder received high praise at its New Westminster premiere in 2011 and promises to provide another exciting evening of theatre with this fine new production.

Remembering Charlie and Emma

mOn Remembrance Day, I have many people to remember, not only family members who served in the armed forces, but also a number of wonderful friends, long since passed on, that I knew during my years as a volunteer at the George Derby War Veterans’ hospital.  However, the one that always comes first to mind is Charles Field, the grandfather I never met, and with him, Emma Field, the grandmother he left behind.

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Allen & Hanburys – around since the 1800s
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A gift for Emma – The Bell Charlie brought back from France when he had leave.

Charles Field was the batman to Captain Hanbury, a member of the family who had started the Allen & Hanbury pharmaceutical company.  The story, as my mother told it, was that the two became good friends, and that the captain always told Charlie that if they both came through, he would see him right after the war.  The two men survived together throughout the four years of the War.  However, during the final Allied offensive in November 1918, both were fatally shot by a sniper towards the end of the battle.

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Emma Hawker Field (Pem) – my Nana

My grandmother, Emma Field, or Pem, as the family called her, was deeply grieved over the loss of her Charlie, who was reputed to be a real sweetheart, but like most war widows, she had to struggle on alone.  She got a job in a factory, and my mother and uncle became latchkey children.  She was also the oldest of five children herself, and in spite of her widowhood, ended up assuming responsibility for helping her siblings and caring for elderly parents.

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Max and Olive’s wedding

Many years and another World War later, my Nan continued to support the family.  My father, who was in the Merchant Navy, married my mother in 1943, so they lived with Nan throughout the war.  When my mother was expecting my brother, she complained that she had not known what was more dangerous:  Hitler’s bombs or Nan hurling her under the table whenever the sirens went off.   My mother also used to relish the tale of how Nan had kept an ‘emergency’ bottle of brandy all through the war, refusing all requests from those who wanted to sample it, only to have it stolen by a burglar who broke in after it was all over.

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Mum and Nan between the Wars

Our family continued to live with Nan after the war, a situation she had not invited, but had simply put up with in order to help my parents.  I remember her as a rather formidable lady who liked her Guinness, had strict rules about not annoying her in her rooms, but who also took my brother and myself on lots of interesting outings.   Then, in 1957, my father whisked us away to Canada, and she lost the company of her only grandchildren, though she continued to send us our British comics and write to us during the remainder of her life.

1It was only after I’d grown up that I started to appreciate how much heartache she had endured, and how tough she was to maintain her resilient get-on-with-it spirit, no matter what was happening around her.  Needless to say, I was delighted when a few years ago, an aunt passed on to me copies of a batch of letters that had been written by ‘Pem’ to her cousin in Australia.   I was especially fascinated to see that one of these was dated 1941.  Some of this is printed below:  It’s a picture of Wartime England from the middle-aged widow’s perspective.  Sorry I never got to meet you, Charlie Field, but you’d have been proud of the lady you left behind.

March 22, 1941

Dear Alf,

Received your letter today…….  I thought perhaps the mail had gone down.  As you know, Mum passed away the 12th of June.  She had been very ill all winter.  In fact every winter for the last six years she had to stay in her room because of her chest, but the September war was declared, on that same night we had an air raid warning.  We thought we were going to be deluged with bombs, and she never really got over the shock.  . . . .   On Oct. 25th she had a stroke. 

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My Great Grandmother

I nursed her for six months, and she seemed to be getting on nicely.  Then the posters started about the possible invasion, and the doctor advised me to try and get her away.  If it happened, she would not stand the strain.  Her friend Mrs. Coburn had moved from Highbury to Ealing, so I took her there while I looked for a house; I had just got this house and was going up to see her when I had the wire asking me to come.  But she did not know me.  She is buried with Dad at Sutton.   Perhaps it is as well she was taken before things got as bad as they are.  You say the Londoners can take it.  You ought to see what they have taken.  Do you remember where Rose lived?  It is dreadful round there.  Windsor Street’s small houses, not one is standing.  The turning is like a waste land.  Dean Street . . . not a soul is living there.  The homes just smashed up.  In one turning, there are five pianos or parts of them in the debris of the different homes.  Hitler’s military objective, Highbury, got it dreadful this week.  It is appalling the women and children that have been killed.  Also the city has been badly bombed, in some parts just ruins. . . . .  Do you remember the London Hotel at the corner of Tylers Avenue.  That was hit the other week and a lot of civilians killed. 

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Mum as a VAD

My daughter does nursing all night once a week in a shelter in the city.  I do fire watching once a week.  I have a tin hat and a whistle to blow should an incendiary bomb drop in our turning.  We do different turns all through the night starting at 10 pm until 6 am.  . . . . . . . One thing we have to be thankful for is that we have not been really short of food.  We don’t get a lot of meat, but the fat ration is very generous really.  We have plenty of veg, bread and flour and if people spend a bit more time at their stoves, they can make some real good meals.  It means a little more trouble but it is worth it and all helps to win the war, besides helping to keep the nation fit. . . . .   

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The War Widow in the forties.

Rents went up very high after the last war, but food and clothes got very reasonable the last ten years.  Now we are at war again and everything is sky high again, but why worry?  Just live from day to day, get what pleasure you can, and try to be just to all.  I hope this reaches you.  Wishing you and yours all the best.

Pem.

Coming Soon

Watch for “The Chess Room” by Elizabeth Elwood, a new locked-room mystery coming out in the November/December issue of the Ellery Queen Mystery Magazine. A stormy day, a diabolical plot and a room filled with eerily silent chessmen who may provide the key to the mystery. EQMM is available online or at any Chapters stores in Canada.

Also, coming up next year, Elwood’s “The Homicidal Understudy” will appear in Malice Domestic’s Mystery Most Theatrical Anthology.

 

Murder, Mayhem and Mistletoe on Ellery Queen’s Mystery Magazine Blog Site

EQMMI was delighted to be asked to write a post for the Ellery Queen’s Mystery Magazine blog site – and here it is. Read why mystery stories are a perfect fit for the Festive Season, not to mention some tips for seasonal mystery reading.: https://somethingisgoingtohappen.net/2017/12/13/murder-mayhem-and-mistletoe-by-elizabeth-elwood/

And even better, order the holiday issue of the magazine and read my story: “Ghosts of Christmas Past”

Meet Max, the Ho Hum Husky

If you think Marley was difficult, you should have met Max.  A rescue dog with a difficult past, his antics kept us on our toes, and many people dined out on ‘Max’ stories over the years.  “Max and the Christmas “Light-bulb”, “Max and the Work-sock”, Max and the Fish Guts”, “Max Swims Out to Sea”, “Max Busts out from Backstage”—the list goes on and on.  Needless to say, he was a dog who had adventures.

LITTLECHAPMax was a husky, shepherd cross with some wolf in the mix, not to mention an Alpha male personality, and we soon discovered that our new pet was more than we could handle.  He wasn’t a big dog—more husky than shepherd, with short, stubby legs and a barrel chest—but he was strong as the proverbial ox.  After our first walk, where I found myself towed behind Max and facing the alternative of either breaking into a sprint or having a dislocated shoulder, I realized that I needed a trainer—a dog trainer, that is, not a personal trainer to improve my running skills.  Fortunately, I found the person I needed in Gary Gibson, who very quickly taught me some techniques to show Max who was boss.  It was so appropriate that Gary and his wife Kathy’s company was named “Canine Corrections”.  The title was a reference to the wonderful dog-training program that Kathy established with the inmates of the women’s prison at the Fraser Foreshore, but it was certainly an appropriate title when it came to training Max.  Gary very quickly established some ground rules that brought my feisty white husky into line, but he also acknowledged that, with Max, there would always be some degree of negotiation.

INLET THEATREGary was the one who told us that Max needed a job, and after a while, we realized we had the perfect role for him within our puppet company. Once the Max marionette was created and became the star of many of our shows, Max became part of the show, waiting backstage during performances, and then joyously coming out to bow or demonstrate his tricks with his puppet after the final curtain. Feisty, he was, but how he loved being part of the show.  As Gary said, many years later, after Max had passed away: “He was more dog than most.”

 

mBecause of his unpredictable nature, Max demanded far more of my time and attention than any other dog I’ve ever owned, but because of this, the two of us became very closely bonded over the years.  I still miss him, and I take pleasure in having his personality live on through my artistic endeavours.  Not only was he the inspiration for Max, the Ho Hum Husky, the lovable star of 14 of our 20 marionette musicals, but he also lives on as MacPuff in my Beary Mysteries Series, even if his appearances there are often as fleeting as the movie cameos of Alfred Hitchcock.

maxI have always wanted to write Max’s story, and I have the perfect title—Strings Attached —which reflects how close we were and the part he played in our marionette company.  However, since my plays and mystery stories bumped this project to the back of the line for several years, the ‘dog blog’ served in the interim to tell the tale of my rescue dog with an attitude, Max, the Ho Hum Husky. Finally, this summer, Max’s project came to the front of the line and I’m now polishing up manuscript that will tell his story in book form. Watch for updates early next year.

 

Murder, Mayhem and Mistletoe!

 

Why is it that crime-writers love to combine the Season of Peace and Goodwill with a juicy murder mystery?  Incongruous themes?  Not really, when you consider how psychologists expound on the subjects of anxiety, tension and depression at Christmas.  The Web abounds with sites that offer tips on how to avoid stress during the festive season.  It’s the time of year when families come together, whether the individual members like each other or not.  There is an expectation that the feuds be buried, or at least suspended, no matter how much resentment might be simmering under the surface.  One is conscious of obligations to others, whether the will is there to follow through.  There are gifts to be purchased, which stretch budgets that may already be out of control.  People who are alone feel lonelier; those who are inundated with relatives feel overwhelmed and exhausted.  Such a lot of smoldering emotions for a crime writer to plunder.

ngAs if the turbulence of family relations was not sufficient to tempt a mystery writer, Christmas also provides a wealth of opportunity for atmospheric settings.  What could be more ‘cozy’ than firelight flickering in the hearth and snow falling outside the window?   What can be more chilling than a black winter night with only the soft beam from a streetlamp lighting footsteps in the snow?  What possibilities for sinister disguise lie in the cross-dressing of a Christmas pantomime?  What great opportunities for the evil-minded are presented at those parties and dinners where food abounds and glasses and plates are often left unattended.  No wonder mystery writers can’t resist creating a Christmas dilemma for their detectives to solve!

rumpChristmas mysteries have been around for a long time.  Charles Dickens certainly knew how to wring drama out of the Christmas season, and what a trend he began.  Sherlock Holmes solved the puzzle of a goose that provided a lot more than Christmas dinner; G.K. Chesterton’s Father Brown recovered “The Flying Stars”, diamonds that disappeared at a Christmas party; Hercule Poirot’s Christmas included a body in a locked room; Ngaio Marsh produced a corpse that was Tied up in Tinsel; and Rumpole has a whole book of Christmas stories.  There are many anthologies too, such as Murder Under the Mistletoe, which features a host of stories by writers such as Margery Allingham, Peter Lovesey and Sir Arthur Conan Doyle.  Current authors continue the trend.  The detectives in Deborah Crombie’s compelling novel, And Justice There is None, mingle Christmas shopping with the the investigation of a particularly brutal pair of murders; Peter Robinson’s Inspector Banks suffers through a Blue Christmas; and Anne Perry has written an entire series of Christmas novellas, as has M.C. Beaton.  Mary Higgins Clark, with her daughter, Carol, has also produced a set of seasonal mysteries, and following the same trend, Charles Todd put out a similar publication this year.  The list goes on and on.

poI think it’s a great tradition, and one that I’ve been delighted to follow.  I enjoyed concluding my last three books with a Christmas story, each one utilizing a setting that has brought me personal pleasure during the festive season.   My childhood, and my children’s childhood, always included an annual visit to the Christmas pantomime, so it was great fun to write “The Mystery of the Black Widow Twanky”.  My nod to our years of performing as the Elwoodettes Marionettes is reflected in “Christmas Present, Christmas Past”.  My fourth book concludes with “The Mystery of the Christmas Train”, and what a joy it was to write a light-hearted story that could re-create the atmosphere of Stanley Park’s Bright Nights festivities. I’m now working on the sixth book in the series, which will include a story titled “The Feast of Stephen” and most exciting of all, my story “Ghosts of Christmas Past” will appear in the holiday edition of the Ellery Queen Mystery Magazine.

alSo what am I going to do this Christmas?   Our holiday season will include a visit to the Vagabond Players pantomime and a visit to Fort Langley to see the lights. We’re cutting back on the marionette shows, so that means more time for visiting with friends and family, and last, but definitely not least, leisurely time sitting by the Christmas tree and reading the deliciously cozy mystery stories that I put on my Christmas wish list—firelight flickering, snow drifting down outside the window, and the mysteries only within the pages of my book.  A Merry Christmas indeed.

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 From “The Mystery of the Christmas Train”

Richard Beary had one inviolable rule.  Never allow a girl to meet one’s family on a first date.  Nothing spelled death to a potential romance like a premature introduction to a surfeit of boisterous and opinionated Bearys, led by a matriarch whose cozy chats as she assessed the newcomer resembled an interview with the Grand Inquisitor.   Whenever Richard felt it was appropriate to introduce a girlfriend into the family circle, he took care to break her in gently.  No more than one or two Bearys at a time.  Therefore, there was one outing that Richard always attended alone.  Every December, the Beary clan convened en masse for a festive visit to Stanley Park and a ride on the Christmas train, revelled in by senior and junior Bearys alike.  The event was always followed by a late supper at his parents’ home.  Richard enjoyed this annual jaunt, for it provided him with an opportunity to socialize with his nephews and nieces, who seemed to have grown like weeds every time he saw them.  But the train expedition was a solo outing.  Dates were out of the question.

However, one year, temptation appeared in the form of a new neighbour who had moved into his apartment block.  Larissa Swinton would have made the stoutest man weaken.  Her soft blonde hair, delectably alluring lips and pouter-pigeon bosom brought Scarlett Johansson to mind, and her baby-blue eyes held an ocean of promises.  However, her luscious curves were well protected, for the young divorcée, in addition to her mouth-watering attributes, also possessed a ten-year-old son called Billy whose vice-like grip on his mother was as immovable and effective as a medieval chastity belt.  It was obvious that the route to the winsome Larissa’s heart was through her son, for she made it quite plain that she would be delighted to go on a date as long as it was a child-friendly activity and Billy could come too.

Sorely tempted, Richard reminded himself of his rule.   And broke it.

 

Body and Soul wins two CTC awards.

Body&SoulPosterVagabond Player’s production of Body and Soul  was a winner in two categories at the Community Theatre Coalition awards. Elizabeth Elwood and Jacqollyne Keath won for Best Sound Design and Miles Lavkulich won for Best Lighting. Kudos also to Mary Larsen, Miles and Elizabeth for their nominations for Best Set Decoration and Best Significant Achievement. Congratulations to all the CTC winners and nominees, and a special thank you to the wonderful Body and Soul cast, crew and production team that made the project so successful.

 

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Body and Soul director, Elizabeth Elwood, received the award for Best Sound Design.

 

Cast photo

collage copy

 

Set design by Elizabeth Elwood
Set design by Elizabeth Elwood

Oops! Do I dare admit a link between one of my characters and a real-life person!

Front coverThe Devil Gets His Due and Other Mystery Stories, as with my other books, comes with a disclaimer that the characters in the various tales are entirely a product of my imagination. However, unlike my other books, Devil has one notable exception where fact meets fiction, and what fun that was to write.

Anne Kent in “The House of Once Before” is the one exception and her character is based on National Post columnist, Barbara Kay, who has encouraged my writing ever since I sent out review copies of my first book. After reading To Catch an Actress, Barbara contacted me to say how much she had enjoyed it and gave me permission to quote her endorsements. She continued to be supportive after my second book was published, and subsequently, when I was visiting Montreal, we arranged to meet.

3 Day Event_Front coverWe discussed mystery writing—Barbara also had a manuscript in the works, later to be published as the intriguing mystery novel, A Three-Day Event—and when I told her my intention to use Montreal as a setting for a future story, she laughed and asked if my outspoken protagonist, Bertram Beary, was going to meet an equally outspoken newspaper columnist on his travels.  I took this comment as lightly as Barbara had made it, but after I returned to Vancouver, we kept in touch.

0595428509.qxdSubsequently, I wrote two more books and after The Beacon and Other Mystery Stories came out, Barbara gave me another wonderful boost when she featured my series in her column. A couple of years later, Barbara and her husband were downsizing, and she wrote a column about their new home, which happened to be a house that she had visited and loved in her youth.  The next time we were in touch, I quipped that her move would make a great subject for a mystery story. She reminded me that we had joked about Beary meeting an outspoken lady columnist and suggested that this was my chance to make it happen.

prospect pointAnd so “The House of Once Before” was born. Naturally, Barbara’s new home had an imaginary set of characters as the first occupants, for these provided the mystery that Anne Kent solved. It was great fun to create a literary mystery for a female protagonist who, like Bertram Beary, never fears to say what she thinks and refuses to hide behind the veil of political correctness. Thank you, Barbara, for stepping into my story and making it special.

[box] The photo above was taken at Prospect Point during Barbara’s recent visit to Vancouver.[/box]

 

Inspiration from Fort Benton

One of the advantages of writing a short-story collection is that I can send my characters travelling to places that I have enjoyed visiting myself. One such location is a small town that we discovered while searching for a coffee shop during a cross-country driving trip several years ago. Fort Benton, which boasts of being ‘The birthplace of Montana’, is located on the Missouri River a little below the series of rapids that gave Great Falls its name. Because the river was not navigable beyond that point, the town became the place where the steamboats stopped and the stage coaches began.

FFF39Starting as a fur-trading post and later sold to the military, Fort Benton was where infamous trails such as the Whoop-up Trail to Alberta and the Fort Walsh Trail to Saskatchewan began. According to one of the plaques in the riverside park, the town in the early days was so wild that the U.S. Calvalry had to be called in if arrests had to be made.

M0NTANA FLAGSWith the advent of the North West Mounted Police in 1874, however, the whiskey trade was halted and an era of commercial interaction and cooperation between Canada and Fort Benton began. This historic connection is reflected in the three flagpoles that stand by the river, for the Canadian flag flies between the U.S. and the Montana State flags.

THE CAMELBACK BRIDGEIn 1883, the completion of the Northern Pacific Railroad to Helena and the Canadian Pacific Railroad to Calgary caused a decline in business and ended Fort Benton’s importance as a prosperous commercial hub; however, there are still many fascinating sites to see that reflect the town’s history and its glory days. The Fort Benton Bridge, which was the first bridge to cross the Missouri River in Montana Territory, is the oldest steel truss bridge remaining in the state. THE COLONEL'S ENDAlthough a new traffic bridge was built in 1963, the old bridge is accessible as a walking bridge and provides lovely views of the river and surrounding hills. When I strolled out and watched the powerful Missouri churning past the metal plates that sheathed the concrete piers below the bridge, I realized it was the perfect location to begin a mystery story.

GRAND HOTELAnother striking historical landmark in Fort Benton is the Grand Union Hotel, built in 1882. Although the hotel failed when the town’s fortunes declined, a multi-million-dollar project in the nineties restored the hotel to its former elegance, and now it provides a delightful lodging and dining experience for visitors to the town. Fine dining, old-world atmosphere, and a saloon providing beer on tap with highly original names! My husband and I thoroughly enjoyed our stay there, and I resolved on the spot that one of my story characters would have to stay there at some point in the future.

CLOSE UP OF SHEPThe thing that most deeply touched my heart, though, when we first visited the town, was the statue of a dog that stands outside the Grand Union Hotel. Our dog, Max, had died shortly before we began our trip, so the Montana memorial was particularly moving for me. The statue is of a dog called Shep, whose sad story goes back to 1936 when his master died and the body was sent back east at the request of his family. The faithful dog kept vigil at the railway station, continuing to watch for his master until the day he died. Shep was buried on the hillside overlooking the railway station and a small cairn marks the spot, alongside the original Shep memorial.

FB28The statue by the hotel is a bronze sculpture surrounded by bricks that people can buy to commemorate their own pets. Naturally, we bought a brick to commemorate Max, and on a subsequent trip to Montana, we returned to see it in place. So if you ever visit Fort Benton, be sure to look for the brick that bears the name, Max, the Ho Hum Husky.

FB33The Shep statue was not the only moving tribute to dogs in the town of Fort Benton. The military park adjacent to the fort has a section devoted to service dogs, and predictably, one of the plaques is dedicated to a Shep who served in Vietnam. Naturally, having visited the two Shep memorials and having read the touching dedication to service dogs in the military park, it was inevitable that the final story in my latest book would be a novella set in Fort Benton and developed around a series of incidents related to dogs. Now that The Devil Gets his Due and Other Mystery Stories is out, I hope readers will enjoy their literary visit to this charming town as much as I enjoyed our stays there.

CH3Oh, and by the way, Fort Benton did have that coffee shop we were looking for, and it was a delightful one too!

Front cover reduced2

 

Now available on Amazon

 

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EXCERPT:  The footbridge that crosses the Missouri River at Fort Benton is the most historically significant bridge in Montana. Certainly, it is one of the oldest, built in 1888, a year before the Territory became a State and the first bridge to ford the Missouri in Montana. For seventy-five years, the steel-truss bridge carried traffic—horses, carts and wagons in the early days, and later motor vehicles—but in 1963, a new bridge was built a quarter-mile upstream, and the old steel bridge was closed. The striking quartet of trapezoidal trusses connecting to the east bank remains intact; however, the original swing span that was constructed to allow the passage of steamboats was replaced when the centre pier was washed out in a flood in 1908. Today, the west bank connects to the original structure by a long camelback span, supported, like the original trusses, by concrete piers sheathed in metal plates. The old bridge now serves as a pedestrian feature of the river park, although it can only be accessed from the west side, as the cottonwood-laden east bank is privately owned. So while the traffic in and out of Fort Benton motors across the Chouteau County Memorial Bridge by the Grand Union Hotel, tourists strolling the river path can walk out over the old bridge and look back towards the unique little town that constitutes the birthplace of Montana.

However, on a Saturday morning in September, tourists are a rare commodity, and the locals, long used to the black metal span yawning over their river, rarely deem it worth the crossing, knowing that they simply have to return again. Walkers and joggers stick to the river path and feel no temptation to turn onto the concrete walkway that leads to the bridge. But children are another matter, and the young Mason boys and their friend, Rory O’Mara, considered it an adventure to walk out along the wooden planking and stare down at the swirling waters below.

As they reached the point where the camelback truss ended and the trio of Baltimore trusses began, the boys turned back to see one of their schoolmates walking her dog along the river path. The German shepherd was bounding ahead, and as it came to the bridge, Jack Mason whistled and yelled out, “Hey, Shep! Here boy!” As an afterthought, he waved to the girl and added, “Sally, come join us.”

Shep darted onto the planked walkway. Sally waved back and followed the dog onto the bridge. She was only part way along the camelback span by the time the dog reached the boys. Ralph Mason gave the dog a perfunctory pat and then leaned out over the railing. He liked to see the powerful water surging up and curling around the metal plates.

Jack and Rory started to play with Shep, but Ralph remained mesmerized by the water below the bridge. Something that looked like a sack seemed to be bobbing against the concrete pier.

As Sally reached the end of the first span, Shep abandoned Jack and raced back to meet her. Rory turned to see what had transfixed his friend’s brother.

“There’s a sack down there,” said Ralph. “It’s caught on the pier. It’s full of some stuff, and there’s bits of cloth attached to the back of it.”

“No way,” said Rory. “A sack wouldn’t float.” He moved to the railing and stared down into the water.

“Jeez, you moron,” he said. “That’s not a sack. It’s got legs. That’s a body down there.”

Jack abandoned Shep and came to the railing.

As the boys stared downwards, the body lifted, and an expanse of tan cowhide rose and subsided, its tattooed insignia of interlocking antlers hovering momentarily in view before it glided back under the slate grey water. 

“Holy moly, that’s The Colonel!” said Ralph.  

Jack’s eyes bulged and his face went white. Then he gasped as the force of the current rolled the torso against the pier. He felt suddenly sick. He reeled away from the railing and threw up.

“What are you guys staring at?”

Sally’s voice behind him made Ralph look round. She and Shep had reached the centre span.

“We gotta get the sheriff,” said Rory. “There’s a body down there.” 

“No,” breathed Sally. “Are you serious?” 

She moved towards the railing.

Ralph stopped her. Even at the age of ten, cowboy-country gallantry was ingrained in his psyche, and he had already seen the effect of the corpse on his older brother. 

“Don’t look,” he said firmly. “He doesn’t have a head.”[/box]

 

Now available – Body and Soul

front-coverAfter a highly successful run with Vagabond Players at the Bernie Legge Theatre, Body and Soul is now available for other theatre groups. This charming romantic comedy was enthusiastically received by New Westminster audiences and the play is sure to be a hit with community theatre groups everywhere. The plot combines time travel with the supernatural, the script is witty and original, and the story is full of surprises. For queries about royalties, contact info@elihuentertainment.com, and for additional information, view the Body and Soul page in the play section of this website and read about the Vagabond Players production.