Play or story? Which presents the most challenges?

People often ask me whether I prefer writing plays, stories or marionette musicals. It’s hard to answer that question and I always end up saying that I most enjoy whichever I am doing at the particular moment. Writing a story is a fairly flexible creative process. Granted there are certain standard ‘rules’ for short stories and novellas, but the reality is that the author has no firm restrictions on the number of settings or characters. The entire world is the author’s playground, along with as many inhabitants as the writer needs to populate the story. However, there are no lights, costumes or visual aids to help create the atmosphere, no facial expressions to explain the characters’ feelings. The words have to create the picture.

Book fanPlaywrights, on the other hand, deal with a lot of practical restrictions, so those have to be kept in mind throughout the writing process. Complex settings can be difficult to stage; a large number of characters can present casting challenges. Both of these problems may deter a selection committee from choosing a play. Ideal cast sizes also vary depending on whether the playwright is writing for community theatre or hoping for a professional production. Professional companies have to consider salaries, so smaller casts are more desirable, witness how many companies incorporate a one-character-monologue play into their season. Community theatre, on the other hand, does not face the same financial burden and often sees the value of a bigger troupe; the more people on stage, the more bums in seats, since amateur actors are usually good about bringing in their friends and families.

gdod panelInterestingly enough, casting for the marionette stage is the complete reverse of casting for the theatre. In a theatrical play, cast size may be limited for practical reasons, but everyone in the play can be on stage at the same time. With puppets, one can create a script with a huge cast as long as only a small number (as many as the puppeteers hands will allow) are on stage at any given time.

SEXTETPlaywrights also have to consider what their characters are doing on stage. If several actors are on at the same time, they all have to be included in the dialogue or else have credible action that keeps them apart for a good reason. If six people are on stage and all the lines are spoken by two actors, the other four could well present a problem for the director. Another lesson I learned the hard way, and this is a practical tip for writers of mystery plays: Unless there’s comedy value in the presence of a body, don’t have a murder in the middle of a scene. If you do, the director will have the challenge of removing the corpse. Victims need to be dispatched just before the blackout.

Casting for Murder

Props have to be considered in relation to blackouts too. If you leave too many props lying around at the end of a scene, you create an irritating time lag while the crew has to remove them. And don’t forget Costume changes. You must leave sufficient time within the script for the actor to make the change without delaying the pace of the play.

FRONT COVER copyThe length of a play itself is also governed by practical considerations. Three Act plays are less popular now, because today’s audiences have shorter attention spans. Certainly, to maximize the chance of getting a production within the community-theatre circuit, one has to present the story within two acts, and the fewer number of scenes or lighting changes, the better. Ease of production along with marketability are two of the criteria most carefully assessed by these groups.

Shadow of Murder

So play or story, which is more fun to write? Basically, both formats provide interesting challenges, all equally difficult in their own way. However, the hardest task of all is trying to adapt a plot from one medium to another. This is a tough writing exercise, always trickier than starting from scratch, but one that I have undertaken several times. All three of my plays also exist in story form, though it varied which came first, the script or the narrative.

Next: How “To Catch an Actress” became Casting for Murder

Episode Sixty-four: The whole pack together.

In August of that year, Max had a very special weekend. The girls had enjoyed visits from their friends in July, but now it was time for me and Hugh to invite our own friends to the Coast. Dick and Edna were looking forward to trying out their new motorhome, so they came to stay for the long weekend, complete with Brandy and C.B., their lop-eared rabbit.

Edna, with CB, her lop-eared rabbit.
Edna, with CB, her lop-eared rabbit.

Max had a very atavistic nature, and the concept of the pack was firmly entrenched in his genes. He and Brandy were so bonded from their daily walks in town that Edna and I believed Max considered our two families to be one pack that, for some inexplicable reason, lived at two different locations. Therefore, when the other half of our ‘pack’ arrived to stay at the cottage, Max was thrilled to have everyone in one spot. At the end of the day, when we all sat visiting in the cottage living room, he was as blissfully contented as I ever remember seeing him. His people on chairs and Brandy sprawled out with him on the carpet; that was the way it was supposed to be.

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Best Friends

It was a lovely weekend. Edna and I took the dogs for several walks each day. Hugh and I took our guests for a boat ride too, though Brandy was not too sure about the Optimist. However, sea dog Max leaped on board as if to show her how it was done, and once she ventured on board, they sat side by side, nose to the wind, as we chugged across the bay. We were actually glad to have our dogs on board, as there was a huge yacht moored in the harbour, anchored in such a way that it was rotating slowly, giving the occupants a changing view of the scenery. We took our guests closer to take a look, wondering which celebrity might be the owner, but as we neared, two hefty looking men in black lowered the Zodiac at the rear of the yacht, hopped in, and came gliding towards us. Max’s hackles went up when he saw them coming—his wolf genes recognized danger when it was approaching—but we decided discretion was the better part of valour and steered off in the other direction. So much for freedom of the waves.

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The Lagoon

There were some other issues regarding freedom that had come up during the summer, though these related to land. Our cottage was part of an estate, and although the residences were separate, the land and docks were communally held and there were a lot of rules and regulations. Along with these came a lot of gossip, not to mention interfering people. A couple of the homeowners were particularly negative about dogs, and as a result, we had become a little jaded about our holiday location. We had gone so far as to start looking for alternate properties, although nothing had really fit our needs or limited price range. However, the week before Dick and Edna came to visit, we had noticed a listing for a cottage on Pool Road. The price was fairly low, so we thought we’d check it out. We had no idea where Pool Road was, other than the fact that it was somewhere on the other side of the harbour. After much exploration and driving about, we ended up in Garden Bay, still with no idea of how to find the cottage we were seeking, so we gave up and stopped for lunch at Colonel Flounder’s, the fish and chip shop that we’d often visited when coming across by boat.

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The Sundowner Inn

Our whole family had always loved this side of the harbour, with its two bays separated by a small peninsula that jutted out into the ocean. The Sundowner Inn stood looking out over Hospital Bay, so called because the heritage house, although now a bed-and-breakfast hotel, had originally been St. Mary’s Hospital, the first hospital on the Sunshine Coast. On the Garden Bay side was the local pub. Between the two bays was a pretty lagoon with a channel that drained into Hospital Bay. A footbridge spanned the channel so that walkers coming along the main road could cross to the general store and marina without walking right round the lagoon. Colonel Flounder’s was on the road that circled the lagoon, and between the fish-and-chip shop and the pub were two small cottages. There was also a short, but scenic pub path that followed the shoreline from the road around to the pub. It was truly the prettiest spot on the Sunshine Coast and I had fallen in love with it many years before when Hugh had first taken me across by boat to have a meal at the pub.

The Garden Bay Pub
The Garden Bay Pub

Therefore, although we had failed to find our mystery cottage, we were perfectly happy to find ourselves at Colonel Flounder’s. As we sat enjoying our fish and chips, giving way to the baleful glances at our elbow and sharing the odd French fry with Max, we continued to speculate as to how we could find the listed property. The Colonel, overhearing our conversation, looked at us as if we were simpletons. He gestured to the lagoon and the road at the edge of his property. That was Pool Road; couldn’t we see the pool right in front of us. His arm swept in the other direction and pointed to the other side of his shop. The cottage next door to him was the one for sale.

Right next to the fish and chip shop.
Right next to the fish and chip shop.

We couldn’t believe it. Yes, it was rather derelict, but there it sat, in our favourite location, facing the lagoon and between the two bays. There was a garden that we could fence and give Max a lovely area to run and play, and the docks were close for Hugh to moor his boat. The glorious Garden Bay Lake was only a ten-minute walk up the road for swimming. Whatever it took, we were determined to sell the other cottage and buy this little jewel.

The cottage
The cottage

Naturally, we had told Dick and Edna of our hopes and plans, and on their last day with us, they took us to dinner at the Sundowner Inn. The girls opted to stay at Madeira Park and visit with their friends, so we left the dogs in their charge and took the boat over to the other side. Edna was as enchanted with Garden Bay as I had always been , and she understood why I was so keen to have our holiday home there. As we sat at the window of the Sundowner, looking out onto the lagoon and watching the sun sinking slowly towards the distant hills, we speculated happily about the prospect of future summers in this beautiful spot. After dinner, we strolled over the road to look at our prospective cottage. Then we headed back across the bay to have hot drinks with the girls and walk our dogs. Happy kids, happy dogs, happy grown-ups. It was a lovely ending to a perfect weekend.

Episode Sixty-three: Guard dog at large at sea.

After the run of Babes in the Woods, Marcella returned to town. Now it was Katie’s turn to have a friend stay at the cottage, and so her bubbly classmate, Jen Guggliemucci, came to join us for a couple of weeks. Jen wanted to help with the performance of Guard Dog on Duty at the Lion’s Club picnic, but there were two weeks before that gig, so the girls had lots of time for boating, swimming and holiday fun. However, Max was continuing to be restless. He was used to being set free on the trails in town, but it was difficult to find somewhere suitable on the Coast. One would think that the country would be better than the city for dog walking, but it was actually much more restrictive.

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The Optimist

There were lots of trails if one headed up above the highway, but unlike the trails in town, these were not an option because they were full of deer, not to mention the occasional bear, elk or even cougar. There were also small farms, which meant livestock that sent tantalizing scents into the air. On Lasqueti Island, there were even signs indicating that dogs chasing sheep would be shot. Finally, Hugh and I decided that our best bet was to take Max to the two small islands in the mouth of the harbor and let him run there.

On the island.
On the island.

We packed a picnic and loaded everyone into the Optimist, though Hugh tied our smaller dinghy behind the bigger boat. Then we set off for the mouth of the harbor, anchored off the islands and went ashore using the dinghy with the outboard. The islands were intriguing for the girls, because there were derelict shacks and offshore shipwrecks. Once we unloaded our picnic, the girls went exploring and Hugh and I let Max trot after them. Since the islands were so small, we thought there was no chance of him getting into trouble. Famous last words. No sooner had Hugh opened the thermos and poured me a coffee than we heard a thundering noise, rather like the hooves of a charging horse. We looked up to see a large doe racing across the island, with Max, stubby legs flying, furiously trying to catch her.

At large at sea!
At large at sea!

The deer splashed into the ocean and began to swim out to sea and Max, undeterred, jumped into the water and began to swim after her. We thought he would give up and return after a few yards, but not Max. He kept going out into the bay, straight into the path of a large motor cruiser that was coming up the middle of the channel. Hugh leaped up, hopped into the outboard and set off after our delinquent dog, and finally, by looping around him and herding him like a steer in a cattle drive, managed to bring him back to shore. Sigh! So much for our peaceful picnic. Max was very happy with his exploit. However, his frazzled owners were not. From now on, the summer was going to be Guard Dog on Leash. No exceptions.

Lions Club Puppeteers
Tired puppeteers plus one happy dog.

A week later, came the day of our gig at the Lion’s Club Park, and finally we managed to have a trouble-free day, other than a minor blip when a puppet hit the deck. However, once we’d reassured the girls that this was not an earth-shattering problem, all relaxed and had a good time. The festival was great fun, with a pancake breakfast and lots of activities for kids. We performed four shows, but between each performance, Hugh and I found a perfect trail to walk Max, albeit on his long line, while the girls played and socialized with the other young people. And as a bonanza, Max got to eat his fill of the leftover sausages from the pancake breakfast. Guard Dog off Duty was a little green in the gills from overindulgence, but he had done his tricks, reaped his rewards and was a very happy dog come end of the day.

Episode Sixty-two: Guard Dog off Duty!

The school year was drawing to a close and everyone was excited about our imminent trip. On the last day of term, Hugh and I picked up Caroline from school and went shopping at Costco. Since we were renting halls to perform our shows, we also had to provide the concessions. We bought flats of pop and potato chips, vainly trying to impress on Caroline that this bonanza of junk food was for the patrons, not the family. Then we came home to stash the goods and make dinner. Later, we stuck decals on our posters and organized for the upcoming trip.

Heading for the Sunshine Coast
Heading for the Sunshine Coast

The next few days were a flurry of last-minute rehearsals and packing. Then, on the morning of July 9, we loaded the motorhome and set off for the Horseshoe Bay ferry. Max was excited about the trip, as were Caroline and Katie, since Marcella was along to help with the shows. The weather was glorious for the ferry crossing, though the girls were more interested in the gift shop and concessions than in the scenery. We disembarked at Langdale and set off for the drive up the Coast. Once we arrived at our Pender Harbour summer home, we parked the motorhome in front of the cottage, right below the front-room window. The girls and Max marked out their sleeping quarters: girls in the lower suite and Max on a cushy rug by the front-room window. By nightfall, we were all settled in comfortably.

Madeira Park cottage
Madeira Park cottage

We had five days before our first  show, so the girls took advantage of the time to make friends with local youngsters and enjoy the fun of the seaside. Unlike the girls, Max could not be turned loose. He was on red alert, with his wolf genes picking up every exciting new scent. It was like being towed by a tractor every time we set off for a walk. We did some more leash training with lots of reverses to remind him of his lessons.  After this review, he walked more sedately, but I could tell from what I called his ‘double ear pleats’ that he was on the lookout for action every step of the way. I became very used to watching my dog and being prepared to brace myself when the double ear pleats turned triple.

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Guard Dog Off Duty

A couple of days into our stay, we had an extremely upsetting incident. We woke up in the morning to discover that our motorhome had been broken into during the night and all our concession fare had been stolen. Down went the profits yet again. The most galling thing was the fact that our feisty dog had proved useless as a watchdog. Max had been sleeping right by the window and had not even woken up, yet alone alerted us to the intruders. The constable who responded to the call thought it was hilarious when we told him about the show we were performing for the Lions’ Club. Everyone agreed that the title should be changed to Guard Dog Off Duty.

Witch Twitch
Babes in the Wood – The Sheriff, Witch Twitch and Jaws

So off we went to restock the concessions, this time loading them into the cottage until show day. All too soon, the marathon weekend arrived. We set up at St. Bart’s church in Gibsons on the Friday evening; then performed Babes in the Wood at 11:00am, 1:00 pm and 3:00 pm, after which we struck our theatre, drove to Pender Harbour and set up at the Music School. On Sunday, we performed the show four times at the music school: three times during the day and once at seven in the evening. Max slept in the motorhome while we performed the shows, and then enjoyed walks with various family members taking shifts between shows. After the final show, the exhausted kids headed back to the cottage and Hugh and I remained to take everything apart. Looking back, I’m amazed that we coped. From this point in time, I feel tired just reading the notes in my diary!

The first Elwoodettes theatre: King John in Babes in the Wood
The first Elwoodettes theatre: King John in Babes in the Wood

Once we got through the weekend, it was time to relax and enjoy the Coast again, though Hugh and I found ourselves dealing with AWOL teens as well as a dog with the same urge. Come the following weekend, we ended up one performer short for our shows in Sechelt which rather took the gloss off the event, although those of us who were there managed well through our gritted teeth. Once back at the cottage, having rounded up and suitably chastised the miscreant, Max, seeing us distracted, took the opportunity to slip out unobserved. So a second AWOL panic set in. Where was the dog?

Docks
Safely back on leash

We all raced outside to look for him, fanning out in different directions. I climbed the steep bank behind our cottage which led to an adjacent waterfront estate. As I clambered out onto a long drive that went all the way from the road down to the docks, I glanced toward the ocean and spied Max at the water’s edge. Given the day we had experienced, I was probably fuelled as explosively as a nuclear reactor. I filled my lungs and bellowed: “Max! Come!!!!” His head shot up and, like a rocket, he zoomed up from the water, raced along the drive, and skidded to a halt to a sit at my feet. As I clipped on his leash, a thought flashed into my head: So that’s what Gary Gibson meant when he said that a command had to sound like a command! As for Max, he padded demurely beside me all the way home and settled down for a nap on his rug by the window. Guard Dog Off Duty without a care in the world.

Episode Sixty-one: Preparing our tour.

Our exciting summer venture in 1995 was to take our puppet company to the Sunshine Coast and spend July and August at the Pender Harbour cottage where Hugh’s parents had lived during their retirement. After their death, the property had been left to Hugh, but as it was too expensive for us to maintain two homes, we had rented the cottage to a local resident. However, our tenant had given notice, so we decided to combine a cottage holiday with a tour of our Babes production in the three main towns on the Coast.

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Poster Dog

The preparations for this had kept me busy all spring: choosing dates and investigating facilities, not to mention creating posters and promotional material. We needed publicity pictures, so I did several photo shoots. For this, the puppets were far more co-operative than Max, who tended to fidget and get bored after a couple of takes. He was very good at the commands, sit and stay, but would plop into position with such a petulant look on his face that the results were hopeless for a brochure.

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Jog Dog

The arrangements could not be finalized without a day trip to the Coast, which we made in early June. Caroline and her friend, Marcella, came along, offering to walk Max while Hugh and I negotiated terms with the venues at Gibsons, Sechelt and Madeira Park. It turned out to be a good day, with all appointments going well. Max enjoyed his walks with the girls, though they reported that he was hopeless when they tried jogging as he kept stopping to christen the bushes. We had a nice lunch at a sidewalk café in Sechelt, with Max sitting decorously beside our table and enjoying tidbits from the various plates. While we ate, we saw a film crew working on the street. We had no idea what was being filmed, but years later, when we watched a Knowledge Network program about the Sunshine Coast, we suddenly gaped at the screen and cried, “There’s Max!” Sure enough, there he was at the Sechelt sidewalk café, immortalized on screen.

Mug Dog
Max mug

The visit to the Coast was lovely, and when we returned to town, we were restless for the month to pass so we could head away again. However, we were anxious about our tour because the expenses were adding up; Max mugs and T-shirts, posters and theatre rentals did not come cheap. Then, to our delight, a wonderful surprise came in the mail with a letter from Hugh’s aunt in England. Aunt Gladys had corresponded with me over the years and she wrote to say that she would like to sponsor our Pender Tour to the tune of one thousand pounds. This was more than two thousand dollars at that time. We were overwhelmed: such an incredibly generous gesture; Auntie was an angel in every sense of the word.

Aunt Gladys
Aunt Gladys

Aunt Gladys wasn’t the only person to encourage our new venture. At the year-end Vancouver Guild of Puppetry party, the other puppeteers were delighted that we were stepping up our performance activities. It was especially delightful to meet veteran puppeteer, Fran Dowie, and his charming wife, Louise, both of whom were full of valuable tips, which we appreciated knowing their impressive history of performance. Fran was a well-know name in the entertainment industry and Louise had danced in the original Broadway production of The King and I with Yul Brynner.

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And a paid gig too!

We were further encouraged the following week when we were offered a paid gig to perform Guard Dog on Duty for the Pender Harbour Lion’s Club. Now we had two productions going to the Coast. It seemed an opportune time to fulfill an outstanding obligation. We had offered Guard Dog on Duty as a BVA auction donation when I had been running for Council, and the family that had purchased it was finally trying to set a date so the show could be performed for their son’s birthday party. Although it meant we would have to perform the show for free, it still gave us the chance to have a pre-tour rehearsal complete with audience.

Bow
Bow Dog

All through June, we  rehearsed both shows, and Max became very excited by this activity. He recognized the music that signalled the end of each show, and even if he had not been in the room during the rehearsal, he would race downstairs to join us, and start bowing and doing tricks as the curtain fell. On the day of the donated performance of Guard Dog on Duty, the show went very well, but the highlight was Max himself. He performed wonderfully at the end of the show. He recognized his theme song and couldn’t wait to do his trick and take his bow. We decided that we would have to rename him, “Max, the Ho Ham Husky.” Afterwards the birthday boy came forward and presented him with a Meaty-Bone Cookie. Max was the star of the show, and there was no doubt he was ready to be Dog on Tour.

Episode Sixty: Forging on.

That year was the beginning of difficult times for me and Hugh. I was missing Luigi and worried about my father, and on top of that, we were dealing with the start of teenage rebellion and often joked that Max wasn’t the only one who needed a long line. I have always dealt with stress by keeping myself busy, so poor Max must have thought his mistress had turned into a workaholic during the months ahead. Suddenly, I was multi-tasking multiple projects, and Max soon adjusted to the fact that  morning-coffee time after our walk was now in the study rather than the living room. Philosophically, like the ho hum husky he was, he became used to curling up under my computer desk and napping on my feet.

postersOne project that was proving challenging as well as diverting was the completion of my play, Casting for Murder, which at that time was still under its working title, To Catch an Actress. The work I had previously done was fine for the first two acts, but the third act wasn’t working. Writing a mystery play was a lot harder than I had anticipated. With my mind so focused on untangling my plot, we found ourselves attending a lot of mystery plays to analyze what worked and what didn’t. One evening, Hugh and I took the girls to the Richmond Gateway Theatre to see Agatha Christie’s Black Coffee. The actors playing Poirot and Hastings were delightful, but some of the other characters were less appealing and there were sections where the dialogue went on rather long. Five minutes into Act One while one of the actors was delivering what seemed an interminable monologue, Katie leaned over and whispered: “You know, Mummy, I wouldn’t be surprised if she were the one who gets murdered.” Wisdom out of the mouth of babes—I made a mental note to check my script for overly long speeches.

cThe next three months were a struggle to reshape the piece, and by the beginning of May, Act III had been changed beyond recognition. However, there were so many other family commitments and puppet activities happening that it was hard to find time to complete the task. My opportunity came on the May long weekend, when Hugh took Katie on a fishing trip. Caroline was busy with her own friends, so having seen Hugh and Katie off in the motorhome, Max and I had three days to do our own thing uninterrupted. Walkies and writing galore! Each day, we went for long rambles through the woods, then came home to spend companionable hours while Max played with his toys and I hacked away at my computer. Max also seemed to enjoy having me read him sections of the script. He would sit up attentively and hang on every word, his wolf smile showing approval at hearing his mistress’s voice changing to accommodate the various parts. By the Monday when Hugh and Katie rolled home, I had polished up the manuscript and was finally satisfied that I had done all I could. Max was thrilled to see his people back, and raced around, tail wagging a mile a minute. Happy dog and happy Mum. He had his family back and I was ready to begin the process of sending out scripts in the hope that someone would produce my play. It was actually five years before the play was staged, but since that first production, it has bobbed up in some part of Canada every other year, so the struggle was definitely worthwhile. As one of my writer friends commented: “That one has legs.”

Copalis Beach dogAlthough Max had enjoyed his quiet weekend with me, he had been very indignant when Hugh and Katie had taken off and left him at home. In Max’s eyes, the motorhome was not supposed to move without him. Max not only believed he owned our motorhome; he seemed to think all such vehicles were his domain. Around that time, Edna and Dick acquired a new motorhome. Max was thrilled to see Brandy’s new ‘house on wheels’, which was very large and luxurious compared to ours. He leaped in, sat on guard in the doorway and tried to claim it as his own, even refusing to let Brandy on board. What he didn’t realize was that he was soon to have his own weekend away in our motorhome while we made some exciting arrangements for the summer. If all went well, Max was about to become Dog on Tour.

Remembering a very special lady

I was very sad to receive the winter edition of the Puppetry Arts Institute newsletter and see that their long-time director, Diane Houk, had passed away last November. Diane was a charming and talented lady who, with her husband and family, had travelled extensively, always serving the communities where they lived by volunteering her time and talents to worthy projects. She had loved the art of puppetry since childhood, and gathered puppets from many of the exotic locales that she lived in during her husband’s posting overseas. Once she and her husband returned to the U.S. and settled in Independence, Missouri, Diane devoted her energies to the creation of the Puppetry Arts Institute, which, once established, she continued to run and make a success.

Hazelle with one of her marionettes.
Hazelle with one of her marionettes.

My first knowledge of this lovely lady came more than twenty years ago when we saw a notice in the Puppeteers of America journal indicating that the Greater Kansas City Puppetry Guild had been given the remaining stock when the Hazelle Puppet Factory in Kansas City had closed down. The puppet parts were now available for purchase from the Guild. The proceeds from these sales were to be used to raise funds for the planned Puppetry Arts Institute.

The Christmas Present of Christmas Past: 'Mock-Hazelles' along with our own marionettes.
The Christmas Present of Christmas Past: Our ‘Mock-Hazelles’ along with our Elwoodette Marionettes.

Around that time, my husband, Hugh, and I had started a marionette performance company, and although Hugh was making many of our puppets, we were also using six Hazelle marionettes that I had owned as a child. Since Hugh was making puppets that would be compatible with my existing puppets, the opportunity to purchase Hazelle parts was irresistible, especially as this meant we could create and costume duplicate marionettes, thus enabling us to have ‘costume changes’ within our shows.

The Cinderella Caper: More 'Mock Hazelles'.
The Cinderella Caper: More ‘Mock Hazelles’ that Hugh made.

When I sent away to order a box of puppet parts, Diane was the person who responded. At first, I simply noticed that the name on the invoices was always the same, but over the next few years, our correspondence back and forth increased, and I became aware of the person behind the name. There was a caring, interested lady who took time to pick out exactly the right item to fill the bill. With the advent of email, our correspondence increased, and soon, I was sending Diane pictures of the mock Hazelles we had made with her puppet parts. Before I knew it, Diane had issued an invitation for us to come down and perform at the PAI if we ever were travelling in the area.

Guard Dog on Duty.
Guard Dog on Duty. The sheep and pigs were made using Hazelle heads.

We were not able to take her up on this invitation for many years, but in 2006, we planned a motorhome trip across the States, so I let Diane know that we could detour down to Missouri if she would still like us to come. Her response was immediate. She would set up a performance at the PAI to fit in with our travelling schedule. We had developed several shows by this time, and after much discussion, we decided to perform Guard Dog on Duty, a lively Max, the Ho Hum Husky show that featured cowboys, a farm and a big parade. Diane was delighted with our choice and thought it sounded perfect for the venue.

There was the theatre I'd had as a child.
There was the theatre I’d had as a child.

What a wonderful part of our holiday that proved to be. Visiting the PAI was extremely nostalgic for me. The moment I walked in the door, there was the Hazelle theatre that I’d had as a child. I recognized the puppet scripts and the boxes, the puppets I’d actually owned and the puppets I’d merely coveted from the glossy brochures. The displays were wonderful, and what a treat it was to perform there. The volunteers were friendly and helpful, and come performance time, the show went beautifully and the audiences were welcoming and most enthusiastic.

The Missouri Caves
The Missouri Caves

We enjoyed every minute of our stay, both work and play. Diane and her husband took us to dinner at a lovely restaurant called Verona’s on the first evening, and what gracious and interesting hosts they were. After dinner, they took us on a tour of the Missouri caves, and these amazing caverns turned out to be one of the most fascinating tourist sites on our entire trip. We had no idea there were caves in Missouri, let alone the massive underground network that actually existed, much of which was used for storage or industry. We even saw a train line running alongside at one point as we drove through. Here in the caves we also saw something that brought huge smiles to our faces. There, in the PAI storage unit, were the Sound of Music goats!

With Alice 'Diane' Houk, a lovely welcome from a very special lady.
With Alice ‘Diane’ Houk, a lovely welcome from a very special lady.

We were sorry to say farewell when it was time to move on, and Diane issued an open invitation for us to come back in the future. We had hoped to be able to return to the PAI, but as often happens, life detoured in other directions and we never got back to Missouri. However, Diane always kept in touch with cards and email notes and we kept her posted about our shows. This Christmas had been unusually hectic for us so a lot of the usual seasonal things passed us by, but I remember suddenly thinking that we hadn’t heard from Diane. Now, of course, I realize why. Even though our contact was so brief and transitory, we felt so sad to see that she had passed away. Those that knew her well must miss her terribly. She was the driving force behind the PAI and I can’t begin to imagine what countless hours she must have devoted to making that dream a reality. A remarkable woman indeed, and one who is always in our minds and hearts when we pick up our Hazelle marionettes. The world of puppetry has lost a very special friend.

Episode Fifty-nine: Fair-weather walkers

Max’s behaviour continued to be erratic, but as the weather became warmer, the increase in outdoor activities provided him with more outlets for his energy. He loved it when everyone was out in the garden, especially when the girls put him through his tricks. They had trained him to jump for Frisbees and other such items, the command being ‘Hup’, at which point he’d leap into the air and catch whatever they tossed. One day, when he was down on the lawn, Caroline called from the deck and offered him a cookie. She waved it in the air and said, “Hup!” Max looked perplexed, did a couple of leaps, then raced for the stairs and pounded up to her as if to say, “There, I did it!”

Up those stairsUnfortunately, the hot weather brought the usual mass of fair-weather walkers into the park, and the next thing we knew, there were anti-dog items in the local paper and complaints about the off-leash areas that we had worked so hard to attain. This type of press invariably triggered articles from pious dog-hating columnists who wrote diatribes questioning the validity of having dogs in the city at all. Predictably, the councillors took the side of the anti-dog brigade and started grandstanding on the subject at council meetings, a practice made even more annoying by the fact that I knew several of them never bothered to prevent their own pets from running free. On top of that, they had landed Burnaby residents with a 17% tax increase that year, and to add insult to injury, when I went to city hall to pay our bill, I met Councillor Doug Evans in the hall with his unleashed poodle trotting about enjoying the freedom of the building. Needless to say, when I returned home, I took time out to compose a broadside to the councillors who were stirring up the trouble, and also called Carson at the SPCA to ask him to rein in the pound patrols.

black tieStill, out of aggravation came inspiration. I made a few notes about the things I remembered from the big pro-anti-dog battle of the eighties and filed them away for future reference. Later, this became the outline for my story, “A Political Tail”, in which a dog-hating bureaucrat was killed in the park and, in spite of the anti-dog brigade’s determination to blame a marauding canine, the killer proved to be unquestionably human. What fun that was to write. The story involved a group of dog walkers cutting secret trails where they could elude the pound men, pound trucks getting stuck in ditches, a search for a mysterious “Hound of the Baskervilles”, and a protest at a council meeting, complete with dog-biscuit shaped placards. Naturally, I will never own up to which bits are fact and which are fiction, but there are a few people living here in Burnaby who know the truth.

Woods-2Of course, all the fair-weather walkers weren’t anti-dog, but some of them were problematic in other ways. Warm weather encouraged campers in the woods, not all of whom were as careful as they should be. One Saturday morning, Hugh and I came across a flaming campfire in a clearing. What was even more alarming, the fire had been set up against a log that stretched into the bush. We used the empty pop tins that had been littered about to get water from the creek and we doused it as best we could. Then we rushed home to call the fire department. Since the trail was one of the less frequented ones, we had to go back to show the firemen the way in and poor Max, though pleased to have a second walk, was very suspicious of the big men with axes and shovels.

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As the weather improved, Edna and I also noticed an increase in the number of dubious-looking individuals on the trails. It seemed that crooks were fair-weather walkers too. Given some of the odd characters we came across, we were very glad to have our dogs at our sides. Once day, we met a woman and her dog coming along a well-hidden path that we considered our own private trail. Soon after the woman passed by, our dogs stiffened, barked and lunged ahead. Suddenly Edna caught a glimpse of a denim jacket in the bushes, which equally suddenly vanished from sight. We called the dogs, and they finally ran back to us. We saw no one as we moved ahead, but we couldn’t help wondering if the dogs had chased away someone who had followed the solitary woman into the bushes. It was no wonder that dog walkers loved rainy days; those were the only times we could be guaranteed a walk in peace. We, who were devoted to our four-legged friends, were no fair-weather walkers. We were all-weather walkers without a doubt.

Standing in.

One often hears tales of actors falling ill and, in the absence of a proper understudy, some poor individual being handed a script and forced to step in. However, in all my years of theatre, I had never actually experienced a show where that happened. Needless to say, it boggled the mind of everyone at Vagabond Players when exactly that situation materialized, not once but twice within a three-day period during Go Back for Murder.

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Director, Jacqollyne Keath

On the first occasion, I was the unfortunate person who became the stand-in. I was enjoying a night at home with my husband—TV on, feet up, drink in hand—when the phone rang and interrupted our movie. The caller was Jacqollyne Keath, director of the play, to tell me that the actress playing Jessica Blake was unable to perform. Jacqollyne was unable to step in herself as she was at a rehearsal for another show, and she had no one else who was familiar enough with the play to carry it off. I was the set designer, knew the show and had watched several rehearsals and performances, so it was down to me.

Stage Manager, Rob Larsen.
Stage Manager, Rob Larsen

Since it was already seven-thirty and the curtain was at eight, the theatre was full and the panic was on. As club president I had the option of cancelling the show and refunding all that lovely money or going down to the theatre and doing the part myself. Talk about moral blackmail! By the time I had done a quick change and reached the theatre, it was only a couple of minutes to curtain time. I was greeted enthusiastically by the cast members, all of whom had been despondent at the prospect of cancellation. They gleefully informed me that the audience had cheered when the house manager announced the substitution—nothing like pressure—but because they were all so pleased to see me and sweet with their offers of help, I stopped spitting nails and focussed on the job at hand. Rob Larsen, our stage manager, thrust a script into my hand and I hustled down to the green room to pore over it in the twenty minutes before my first scene.

Brian and Corrine
Brian Hoskins and Corrine Out

Being a stand-in was certainly an interesting experience, if fraught with unanticipated hazards. Props were an issue—no one warned me about the decanter with a trick stopper so Corrine Out had to come to my rescue in my first scene—but the cast did their best in hurried whispers to tell me what I was carrying and where I should put it. Everyone helped. Brian Hoskins went over the script with me in the green room; Miles Lavkulich escorted me to the wings for my entrances and every performer took turns gesturing me to the right spot on stage or covering up smoothly if I missed a line. During Act II, Alanna Nicole, Alison Main Tourneur and Faith Hurd were great wing colleagues, handing me my props and explaining each section to help me along.

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Alison Main-Tourneur and Corrine Out

Another snag, peculiar to my own situation, was that the character I was playing, through problems with casting, had been changed from male to female. As a result, reading from the script involved some mental gymnastics because the actors were calling me Jessica but my lines belonged to Philip. Also, the print of the script was small, so I had to wear reading glasses, but whenever I looked up to move around, I was in danger of walking into a wall. If it hadn’t been for Alison Main-Tourneur’s guiding hand at my elbow, I would have done a face-plant into the wings during an Act II exit.

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Miles Lavkulich and Alanna Nicole

Blocking was not much of a problem in Act I since, most of the time, my character was seated at a desk. However, Act II was a different story. My character was all over the set, entering and exiting, in and out of the garden room, off stage and on stage; I felt like a gerbil on a wheel. How glad I was that I’d designed the set. At least I had some idea of where I was going. However, the concentration required was immense, and this manifested in a surprising way. I had been in such a rush to get to the theatre that I had not had time to put on makeup, but after the show, when I commented to my husband that I must have looked pale and washed out, he replied: “Not at all. You had lots of colour.” Raised blood pressure obviously works as a substitute for Tan No. 2.

Richard Wiens became a stand-in two days later.
Richard Wiens

The following week, I compared notes with Richard Wiens. He had been the stand-in a couple of days later when a different actor had been taken ill. Richard had his own list of hazards, the most disconcerting being the moment when one of the actresses sat on his lap and promptly blocked his view of the script in his outstretched hand. Richard, I was told, had done an outstanding job filling in, and he and I both agreed that, once we had accepted the situation, it had proved quite a buzz improvising our way through an entire play. We also felt smug about the other perk for a stand-in. Audiences give underdogs extra applause, so we had both been roundly cheered for our performances.

To the booth
Standing in with a great team!

Of course, in order to be a successful stand-in, there has to be a framework to fit into, and it was the solidly co-ordinated team, so well put together by Jacqollyne Keath, that made it easy to fill the gap. Kudos to the lovely cast and crew of Go Back for Murder who were so supportive of my and Richard’s efforts. On my night as stand-in, every one of this great troupe helped me get through.  Not only were all the cast members helpful, they praised and encouraged me every step of the way. I couldn’t have been thrown in amid a nicer bunch of performers. Next time, if there is one, I won’t be spitting nails when I get that call. Wild horses won’t be able to keep me away. Standing in…nothing to it!

Episode Fifty-eight: Ho Hum Ham with an attitude.

With all the trials, tribulations and losses keeping our spirits low, we certainly didn’t need any more problems with Max. Therefore, when the community school announced an evening course on first aid for pets, I decided that this would be time well spent, given my dog’s propensity for injuring himself on a regular basis. Edna also attended, and we were both amazed to discover how much we already knew, due to having weathered so many ailments with Mr. Max. Edna cracked up the entire class by telling Max stories. It seemed Max was the class clown even without being present.

BABES IN THE WOODPerforming of another kind was also keeping us busy. We tried out our new production of Babes in the Wood at St. Andrews United Church, courtesy of our good friends, Al and Sue Dahlo, who had arranged the booking there. The show went well, except for a complete halt in the middle when the resident sound techie who had insisted he could run the tape for us stopped it mid show because his wife came to speak to him and he thought the performance was over. After this annoying hiatus, we carried on to enthusiastic applause, although afterwards I was told off by a very austere lady who informed me that Dame Vera’s comic opera ‘Suicido’ scene was inappropriate for children. The church children, however, seemed resilient and did not appear traumatized, particularly the little boy who marched backstage, pointed at Robin Hood’s arrows that lined the castle battlements, and demanded to see the ‘missiles’.

GUARD DOG ON DUTY FIVEWe also had a new ‘Max’ show. This was Guard Dog on Duty, a cute romp that started with a village pageant and ended with a scene on the farm where Max and Brandy cornered a couple of crooks who had strayed from the pageant. Our first gig for this show was at the Teachers’ Credit Union in White Rock, and when we arrived, we found we were to set up our theatre by the front window, so as a result, although the families in the bank enjoyed watching the puppet show, all the passers-by on the street were treated to a view of our rear ends bobbing around as we worked the marionettes. Not our most glorious moment.

Ice cream dog 2As the weather improved, there were more outdoor activities for the family, which Max thoroughly enjoyed. He was particularly happy when I took him along for Caroline’s track meet in Langley. To his delight there were lots of dogs watching the events. He especially liked a large, yellowish female Lab with pretty eyes and a friendly disposition. Max never passed an opportunity to flirt in Brandy’s absence. He also recognized the jangly music as the ice-cream van came by and towed me across the field, panting happily in anticipation of getting an ice cream. He also liked the concession stand. I lined up to get a hot dog for lunch, and when I reached the front of the line, the vendor said, “Who’s next?” and Max promptly stood up and put his paws on the counter. Her expression was something to behold.

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By now, Max had mastered a whole raft of tricks, and he was quite the ham in front of a crowd. He loved to perform, and always ended up with his bow. He had even been featured on a local cable program along with his marionette. As a result, he was becoming quite the little celebrity with the people that saw him go out for his daily walk. One day, Katie’s class was going on a field trip to the Children’s Festival so she had gone to school early. The buses and children were already lined up along the road as Max and I set off on our morning walk, and Max received cheers from the students as we went by.

Scowl FaceHowever, all this adulation seemed to go to his head and he started his bad-boy-rock-star behaviour again, one day scaring the life out of me by taking off after the coyote in the woods. I heard the most awful yelping sounds in the bush and thought Max had been hurt, but he finally came thundering back, glittering-eyed and unharmed, with the yelping continuing in the distance, so I realized that the noise was the coyote defending its territory. Then, on Mother’s Day, Max picked a fight with a dog in Lighthouse Park when we stopped for a walk on the way to visit my parents. Max seemed very pleased with himself after this encounter and was in high spirits all the way to Nana and Gamma’s house. Wearily, I called Gary Gibson for yet another chat and was told that this was fairly typical of dogs like Max. They would be good for a while, and then regress and begin to challenge their owner’s leadership. Max had to be put in his place again. Back to basic training for the Ho Hum Ham with an attitude.